{"id":73,"date":"2020-03-24T16:18:31","date_gmt":"2020-03-24T16:18:31","guid":{"rendered":"http:\/\/box5344.temp.domains\/~tigerhe1\/Miranda-Maher\/?page_id=73"},"modified":"2020-03-27T17:35:59","modified_gmt":"2020-03-27T17:35:59","slug":"cloister-series","status":"publish","type":"page","link":"https:\/\/miranda-maher.com\/cloister-series\/","title":{"rendered":"Cloister Series"},"content":{"rendered":"\t\t
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Cloister Series. All 10 from the series.<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Cloister Series<\/strong><\/em><\/p>

A series of 10 “First Stroke” ink paintings on 2×4″ photographs of young women.\u00a0 The women’s eyes were masked during painting and so are the only visible parts of the portraits… though the ink encroaches.\u00a0\u00a0<\/p>

The tiny paintings visually\u00a0reflect the the sheltered, cloistered lives of these turn of the century, affluent women… who may have had much comfort, but were (by our standards) limited and contained… And now they are four generations gone and made more anonymous by time.<\/p>

The photographs are “Carte de Visite” or “Cabinet Card” photos popular from late-nineteenth century through the first years of the 20th.\u00a0 This photography is recognized by thin photograph paper pasted to heavy card that often bears the photographer’s name and address.\u00a0 Many of these particular photographs are dated on the reverse1898-1901.\u00a0 (Two are shown above).\u00a0 I’ve owned these and others for 40 years.\u00a0 I purchased an antique album (long since disintegrated) in [West] Berlin in the 1970s.\u00a0\u00a0<\/p>

I used some of the women’s images in other work, especially “Madwomen & Murderesses” 1996, where their likenesses stood in for women who were never photographed themselves.\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Showing the front and back of four.<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Close detail of one.<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Cloister Series. All 10 from the series. Cloister Series A series of 10 “First Stroke” ink paintings on 2×4″ photographs of young women.\u00a0 The women’s eyes were masked during painting and so are the only visible parts of the portraits… though the ink encroaches.\u00a0\u00a0 The tiny paintings visually\u00a0reflect the the sheltered, cloistered lives of these turn of the century, affluent women… who may have had much comfort, but were (by our standards) limited and contained… And now they are four generations gone and made more anonymous by time. The photographs are “Carte de Visite” or “Cabinet Card” photos popular from late-nineteenth century through the first years of the 20th.\u00a0 This photography is recognized by thin photograph paper pasted to heavy card that often bears the photographer’s name and address.\u00a0 Many of these particular photographs are dated on the reverse1898-1901.\u00a0 (Two are shown above).\u00a0 I’ve owned these and others for 40 years.\u00a0 I purchased an antique album (long since disintegrated) in [West] Berlin in the 1970s.\u00a0\u00a0 I used some of the women’s images in other work, especially “Madwomen & Murderesses” 1996, where their likenesses stood in for women who were never photographed themselves.\u00a0\u00a0 Showing the front and back of four. Close detail of one.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-73","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages\/73","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/comments?post=73"}],"version-history":[{"count":2,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages\/73\/revisions"}],"predecessor-version":[{"id":214,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages\/73\/revisions\/214"}],"wp:attachment":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/media?parent=73"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}