{"id":63,"date":"2020-03-24T16:16:52","date_gmt":"2020-03-24T16:16:52","guid":{"rendered":"http:\/\/box5344.temp.domains\/~tigerhe1\/Miranda-Maher\/?page_id=63"},"modified":"2020-03-27T20:00:24","modified_gmt":"2020-03-27T20:00:24","slug":"passing-moments-constrained","status":"publish","type":"page","link":"https:\/\/miranda-maher.com\/passing-moments-constrained\/","title":{"rendered":"Passing Moments: Constrained"},"content":{"rendered":"\t\t
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Passing Moments: Constrained<\/strong><\/em><\/big><\/h4>

Description\u00a0shared by\u00a0“Veils” and “Passing Moments”<\/strong><\/em>
There is a meditative practice sometimes called “First Stroke” in which you center yourself, become present, then make your brushed mark… before thinking, before the intellect, ego or inner critic can intervene.\u00a0 Perhaps a first cousin to automatic writing, the ink drawing arises more from the unconscious, or perhaps the whole person, rather than from the sliver focused on final product or external acceptance.<\/p>

This is a series of 6\u00a0“First Stroke” ink paintings on Japanese paper. Part of the mark(s) are chosen to be elevated and “constrained’ in a rectangle of gilding, yet we see drops and other marks poking out from the edges of the gilded area.\u00a0 …Creating a tension between the fluid freedom of the ink and the restraint needed in prepping and gilding paper.\u00a0 …Contradicting the valuing of the “First = Best” premise by editing the ink and elevating the chosen parts with precious metal.\u00a0 The gilded rectangle situates the stroke in a composition… and so–while placed squarely on the sheet–is not necessarily centered on it.<\/p>

Series of 6.\u00a0 Each sheet: 11 x 15″\u00a0\u00a0Bichu Toriniku handmade paper (17 g\/m2), with 9×12″ area gilded in Double Dukat gold leaf.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Previous Next Passing Moments: Constrained Description\u00a0shared by\u00a0“Veils” and “Passing Moments”There is a meditative practice sometimes called “First Stroke” in which you center yourself, become present, then make your brushed mark… before thinking, before the intellect, ego or inner critic can intervene.\u00a0 Perhaps a first cousin to automatic writing, the ink drawing arises more from the unconscious, or perhaps the whole person, rather than from the sliver focused on final product or external acceptance. This is a series of 6\u00a0“First Stroke” ink paintings on Japanese paper. Part of the mark(s) are chosen to be elevated and “constrained’ in a rectangle of gilding, yet we see drops and other marks poking out from the edges of the gilded area.\u00a0 …Creating a tension between the fluid freedom of the ink and the restraint needed in prepping and gilding paper.\u00a0 …Contradicting the valuing of the “First = Best” premise by editing the ink and elevating the chosen parts with precious metal.\u00a0 The gilded rectangle situates the stroke in a composition… and so–while placed squarely on the sheet–is not necessarily centered on it. Series of 6.\u00a0 Each sheet: 11 x 15″\u00a0\u00a0Bichu Toriniku handmade paper (17 g\/m2), with 9×12″ area gilded in Double Dukat gold leaf.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-63","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages\/63","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":2,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages\/63\/revisions"}],"predecessor-version":[{"id":225,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages\/63\/revisions\/225"}],"wp:attachment":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/media?parent=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}