{"id":323,"date":"2020-04-10T18:03:06","date_gmt":"2020-04-10T18:03:06","guid":{"rendered":"http:\/\/box5344.temp.domains\/~tigerhe1\/Miranda-Maher\/?page_id=323"},"modified":"2020-04-10T19:05:26","modified_gmt":"2020-04-10T19:05:26","slug":"elementor-323","status":"publish","type":"page","link":"https:\/\/miranda-maher.com\/elementor-323\/","title":{"rendered":"Editioned Books"},"content":{"rendered":"\t\t
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After Reasonable Research...<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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After Reasonable Research: Years with no Acts of “Open and Declared Armed Hostile Conflict” are Indicated with Perpendicular Lines… Perhaps they were Periods of Peace. [Fourth Edition]<\/p>

This astounding document of the absence of peace in our time lists all open and declared armed hostile conflicts that have taken place between the year 1 and the year 2006. Printed in a tiny font and arrayed in two seemingly endless columns, these conflicts fill a mind-boggling twenty-two pages. The book is printed on accordion folded decorative paper, an uncomfortable reminder that the refinements of civilization are inseparably bound up with brutality.<\/p>

This third edition comes in a plastic slipcase and includes a printed statement by the artist.<\/p>

Laser printing on decorative paper, with hand drawn ink line down center and elsewhere.<\/p>

Brooklyn, 2016<\/p>

To purchase or learn more:<\/p>

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Redbook Redux<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A reinvention of Maher\u2019s 1992 xerox book\u00a0Redbook: A Book of Hours, Redbook Redux\u00a0<\/em>assembles visual elements appropriated from illuminated manuscripts spanning several centuries in both Europe and the Middle East. \u00a0But on this luscious ground we find FBI statistics on \u201cforcible rape\u201d used to divide the days of the month into intervals of six minutes. Logged against a listing of women\u2019s (and men\u2019s) names, this book becomes a horrific testimony of the extent to which our culture tolerates personal violence.<\/p>

Edition of 200
5.5\u00d78.5\u2033 Digital lithography, case bound with ribbon bookmark (imprinted w\/title)
2011, Brooklyn N.Y.
$60<\/p>

35 of the edition \u2013 signed and numbered by the artist
$100<\/p>

To purchase or learn more:<\/p>

https:\/\/www.etsy.com\/listing\/82799452\/redbook-redux-artist-book?ref=shop_home_active_4<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1000 Coordinates of Violence<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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As the title suggests, this book compiles a list of the exact longitude and latitude of 1000 cities that have been sites of aggression between the years 1 and 2000 C.E. Culled from the artist\u2019s local library resources and edited at her own discretion, the list disclaims comprehensiveness. Instead, as Maher explains in the introduction, this book attempts to collapse the temporal and geographic distance we maintain between historical violent events and our own lives, leading the reader into an \u201cexamination of our relationship to the profound and unremitting violence of history.\u201d Included in the back is a list of activist, peace-seeking websites.<\/p>

Lithography Book.<\/p>

Brooklyn, 2001.<\/p>

To purchase or learn more:<\/p>

https:\/\/www.etsy.com\/listing\/82307425\/1000-coordinates-of-violence?ref=shop_home_active_9<\/a><\/p>

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SurVeils<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Designed to look like official documents, the loose pages of this artist\u2019s book are printed on what look like government bonds. Inside the frame of each rectangular page\u2019s sober gray and blue scalop edge, texts describe five aspects of a phenomenon that pervades our culture: surveillance. In between the chapters entitled surveillance and knowledge, surveillance and purity, surveillance and reciprocity, surveillance and glamour, and surveillance and absurdity, the artist has inserted veils or masks. Photographs of faces with eyes closed have small holes cut into the eyelids so that the wearer can \u201cturn the tables on those adversaries \u2013 whoever they may be \u2013 \u201d and practice his or her own version of surreptitious observation.<\/p>

Lithograph and laser printing, loose sheets in a vellum envelope.<\/p>

Brooklyn, 1996.<\/p>

To purchase or learn more:<\/p>

https:\/\/www.etsy.com\/listing\/82307494\/sur-veils?ref=shop_home_active_8<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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How to Read and Write in the Dark<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Miranda Maher and Barbara Henning<\/p>

An illustrated narrative of an intimate relationship. \u201cThis novel poem, short story, essay, work of history, record of days in August 1994, was composed from splinters of travel and museum guides, postcards, passing remarks, journal entries, fantasies, reflection and analysis. A composite of tiny speech genres, illustrating a disruption of scientistic knowledge by the sensual and physical.\u201d<\/p>

Laser printing and Color Copy,<\/p>

Brooklyn, 1996.<\/p>

To purchase or learn more:<\/p>

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100 Coordinates of Violence<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0<\/p>

Incidences of violence\u2013contemporary or historical\u2013are identified only by their longitude and latitude. A short poem introduces the work, and an epilogue succinctly laments unrelenting violence in all its forms\u2013war, murder, execution. A Hole is drilled through all the pages to reference the marking point on the earth.<\/p>

Xerox book.<\/p>

Brooklyn, 1995.<\/p>

To purchase or learn more:<\/p>

https:\/\/www.etsy.com\/listing\/82307556\/100-coordinates-of-violence?ref=shop_home_active_7<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Girls! Girls! Girls! Madwomen & Murderesses<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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From Printed Matter:<\/em><\/p>

Murderous madwomen Jean Frame, Aileen Wuornos, Madeleine Smith, Jeanne Webber, Karla Faye Tucker, the Papin sisters, Roxanne Gay, Ruth Snyder, and Irma Grese are the players in this fascinating and ambitious artist\u2019s book. Printed on the onion skin pages of the book with black circles over their mouths, the women speak instead through Maher\u2019s collection of quotations from doctors, patients, scientific studies, news reports, and criminal trials. The quotations are accompanied by found and original \u201cexplanatory\u201d drawings and diagrams that give a sense of how how elusive any single explanation actually is. The complexity of the cultural phenomenon of murderous madwoman is evident in the titles of the book\u2019s chapters: Madness as Fear and Anger; Madness as Invention; Madness as Failure; Madness as Fragmentation; Murder as Release; Murder as Compulsion; Murder as Silencing; Murder as Scientific Method; Murder as Escape; Murder as Masculinity; Murder as Deliverance; Murder as Ball-Busting; Murder as Domination; Murder as Resistance. The artist created a related Printed Matter window project in September, 1994.<\/p>

Xerox on varied papers,<\/p>

Brooklyn, 1993.<\/p>

https:\/\/www.etsy.com\/listing\/82307638\/girls-girls-girls-madwomen-and?ref=shop_home_active_6<\/a><\/p>

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Redbook: Book of Hours<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Redbook<\/strong><\/em>\u00a0uses FBI statistics on \u201cforcible rape\u201d to divide one year into intervals of five minutes. Logged against a random selection of women\u2019s names, this book becomes a horrific testimony to the extent to which our culture tolerates violence against women. Maher conceptually links the distancing effects of statistics to the division of time, designated by the Christian Book of Hours for prayer, to suggest an underlying ideology of compliance.<\/p>

Brooklyn, New York 1992<\/p>

https:\/\/www.etsy.com\/listing\/82799900\/redbook-a-book-of-hours?ref=shop_home_active_1<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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18 Self-Portraits...<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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18 Self-Portraits, 15 Portraits, 9 Portraits in 2 Different\u00a0Forms<\/p>

The survey behind this methodical book asked respondents to list ten dates in their lives \u201crepresenting significant events\/actions\/occurrences\/influences.\u201d Maher then mapped these coordinates by shooting \u201c10 rounds from a 45 caliber automatic handgun, penetrating all sheets at one time\u201d at the Westside Range, New York. She also documented the responses onto rubber stamps, imprints of which are included in the book, along with copies of the original responses.<\/p>

Brooklyn, NY : Horse in a Storm Press. 1991<\/p>

https:\/\/www.etsy.com\/listing\/82799812\/emergency-instructions-i-ii-iii?ref=shop_home_active_2<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Emergency Instructions: I. II. III.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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These three booklets provide the reader with step-by-step instructions on how to physically react to danger. Includes:<\/p>

I. How to Swallow the Lump in Your Throat
II. How to Shore your Shaking Knees
III. How to Give the Gift of your Back-Brain (and maybe escape away)<\/p>

Xeroxed, Saddle staple binding. Red cardstock covers with red paper band.
Detroit, MI\u00a0 1990<\/p>

https:\/\/www.etsy.com\/listing\/82799812\/emergency-instructions-i-ii-iii?ref=shop_home_active_2<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

After Reasonable Research… After Reasonable Research: Years with no Acts of “Open and Declared Armed Hostile Conflict” are Indicated with Perpendicular Lines… Perhaps they were Periods of Peace. [Fourth Edition] This astounding document of the absence of peace in our time lists all open and declared armed hostile conflicts that have taken place between the year 1 and the year 2006. Printed in a tiny font and arrayed in two seemingly endless columns, these conflicts fill a mind-boggling twenty-two pages. The book is printed on accordion folded decorative paper, an uncomfortable reminder that the refinements of civilization are inseparably bound up with brutality. This third edition comes in a plastic slipcase and includes a printed statement by the artist. Laser printing on decorative paper, with hand drawn ink line down center and elsewhere. Brooklyn, 2016 To purchase or learn more: https:\/\/www.etsy.com\/listing\/81689157\/after-reasonable-research?ref=shop_home_active_11 Redbook Redux A reinvention of Maher\u2019s 1992 xerox book Redbook: A Book of Hours, Redbook Redux assembles visual elements appropriated from illuminated manuscripts spanning several centuries in both Europe and the Middle East.  But on this luscious ground we find FBI statistics on \u201cforcible rape\u201d used to divide the days of the month into intervals of six minutes. Logged against a listing of women\u2019s (and men\u2019s) names, this book becomes a horrific testimony of the extent to which our culture tolerates personal violence. Edition of 200 5.5\u00d78.5\u2033 Digital lithography, case bound with ribbon bookmark (imprinted w\/title) 2011, Brooklyn N.Y. $60 35 of the edition \u2013 signed and numbered by the artist $100 To purchase or learn more: https:\/\/www.etsy.com\/listing\/82799452\/redbook-redux-artist-book?ref=shop_home_active_4 1000 Coordinates of Violence As the title suggests, this book compiles a list of the exact longitude and latitude of 1000 cities that have been sites of aggression between the years 1 and 2000 C.E. Culled from the artist\u2019s local library resources and edited at her own discretion, the list disclaims comprehensiveness. Instead, as Maher explains in the introduction, this book attempts to collapse the temporal and geographic distance we maintain between historical violent events and our own lives, leading the reader into an \u201cexamination of our relationship to the profound and unremitting violence of history.\u201d Included in the back is a list of activist, peace-seeking websites. Lithography Book. Brooklyn, 2001. To purchase or learn more: https:\/\/www.etsy.com\/listing\/82307425\/1000-coordinates-of-violence?ref=shop_home_active_9 SurVeils Designed to look like official documents, the loose pages of this artist\u2019s book are printed on what look like government bonds. Inside the frame of each rectangular page\u2019s sober gray and blue scalop edge, texts describe five aspects of a phenomenon that pervades our culture: surveillance. In between the chapters entitled surveillance and knowledge, surveillance and purity, surveillance and reciprocity, surveillance and glamour, and surveillance and absurdity, the artist has inserted veils or masks. Photographs of faces with eyes closed have small holes cut into the eyelids so that the wearer can \u201cturn the tables on those adversaries \u2013 whoever they may be \u2013 \u201d and practice his or her own version of surreptitious observation. Lithograph and laser printing, loose sheets in a vellum envelope. Brooklyn, 1996. To purchase or learn more: https:\/\/www.etsy.com\/listing\/82307494\/sur-veils?ref=shop_home_active_8 How to Read and Write in the Dark Miranda Maher and Barbara Henning An illustrated narrative of an intimate relationship. \u201cThis novel poem, short story, essay, work of history, record of days in August 1994, was composed from splinters of travel and museum guides, postcards, passing remarks, journal entries, fantasies, reflection and analysis. A composite of tiny speech genres, illustrating a disruption of scientistic knowledge by the sensual and physical.\u201d Laser printing and Color Copy, Brooklyn, 1996. To purchase or learn more: 100 Coordinates of Violence Incidences of violence\u2013contemporary or historical\u2013are identified only by their longitude and latitude. A short poem introduces the work, and an epilogue succinctly laments unrelenting violence in all its forms\u2013war, murder, execution. A Hole is drilled through all the pages to reference the marking point on the earth. Xerox book. Brooklyn, 1995. To purchase or learn more: https:\/\/www.etsy.com\/listing\/82307556\/100-coordinates-of-violence?ref=shop_home_active_7 Girls! Girls! Girls! Madwomen & Murderesses From Printed Matter: Murderous madwomen Jean Frame, Aileen Wuornos, Madeleine Smith, Jeanne Webber, Karla Faye Tucker, the Papin sisters, Roxanne Gay, Ruth Snyder, and Irma Grese are the players in this fascinating and ambitious artist\u2019s book. Printed on the onion skin pages of the book with black circles over their mouths, the women speak instead through Maher\u2019s collection of quotations from doctors, patients, scientific studies, news reports, and criminal trials. The quotations are accompanied by found and original \u201cexplanatory\u201d drawings and diagrams that give a sense of how how elusive any single explanation actually is. The complexity of the cultural phenomenon of murderous madwoman is evident in the titles of the book\u2019s chapters: Madness as Fear and Anger; Madness as Invention; Madness as Failure; Madness as Fragmentation; Murder as Release; Murder as Compulsion; Murder as Silencing; Murder as Scientific Method; Murder as Escape; Murder as Masculinity; Murder as Deliverance; Murder as Ball-Busting; Murder as Domination; Murder as Resistance. The artist created a related Printed Matter window project in September, 1994. Xerox on varied papers, Brooklyn, 1993. https:\/\/www.etsy.com\/listing\/82307638\/girls-girls-girls-madwomen-and?ref=shop_home_active_6 Redbook: Book of Hours Redbook uses FBI statistics on \u201cforcible rape\u201d to divide one year into intervals of five minutes. Logged against a random selection of women\u2019s names, this book becomes a horrific testimony to the extent to which our culture tolerates violence against women. Maher conceptually links the distancing effects of statistics to the division of time, designated by the Christian Book of Hours for prayer, to suggest an underlying ideology of compliance. Brooklyn, New York 1992 https:\/\/www.etsy.com\/listing\/82799900\/redbook-a-book-of-hours?ref=shop_home_active_1 18 Self-Portraits… 18 Self-Portraits, 15 Portraits, 9 Portraits in 2 Different Forms The survey behind this methodical book asked respondents to list ten dates in their lives \u201crepresenting significant events\/actions\/occurrences\/influences.\u201d Maher then mapped these coordinates by shooting \u201c10 rounds from a 45 caliber automatic handgun, penetrating all sheets at one time\u201d at the Westside Range, New York. She also documented the responses onto rubber stamps, imprints of which are included in the book, along with copies of the original responses. Brooklyn, NY : Horse in a Storm Press. 1991 https:\/\/www.etsy.com\/listing\/82799812\/emergency-instructions-i-ii-iii?ref=shop_home_active_2 Emergency Instructions: I. II. III. These three booklets provide the reader with step-by-step instructions on how to physically react to danger. Includes: I. How to Swallow the Lump in Your Throat II. How to Shore your Shaking Knees III. How to Give the Gift of your Back-Brain (and maybe escape away) Xeroxed, Saddle staple binding. Red cardstock covers with red paper band. Detroit, MI  1990 https:\/\/www.etsy.com\/listing\/82799812\/emergency-instructions-i-ii-iii?ref=shop_home_active_2<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-323","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages\/323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/comments?post=323"}],"version-history":[{"count":5,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages\/323\/revisions"}],"predecessor-version":[{"id":354,"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/pages\/323\/revisions\/354"}],"wp:attachment":[{"href":"https:\/\/miranda-maher.com\/wp-json\/wp\/v2\/media?parent=323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}